The distinct vibrant palettes across Wes Anderson’s oeuvre, from “The Royal Tenenbaums” to “Moonrise Kingdom.” The sinister reds used in “Mandy.” The icy blues in “The Dark Knight.” The pink-purple ...

Back in the age of incandescent lights we only had one color temperature to choose for studio production. Until fairly recently, studio lighting was almost exclusively incandescent. There were a few ...

(via minutephysics) If you take a piece of white paper into different lighting conditions, it will be an objectively different color in each situation, but our brains are clever enough to make us feel ...

Little contribution will be of help here, I have an array of red, green, and blue 8-bit pixel values but these were recorded by a industrial camera set to a known color temperature of 5600K, imaging a ...