My audio work has involved both the modification of the turntable apparatus and the destructive alteration of the vinyl media. Most recently, this has involved the construction of rather primitive ...
Pôles is about two strangers meeting in some futurist world… like a high-tech Waiting for Godot. Ginette Bertrand’s original music is a triumph of eerie menace and celestial harmony. — Paula Citron, ...
Les œuvres mentionnées ci-bas font partie de la compilation (double-CD) PRESENCE (Productions Électro Productions [PeP 001], 1997). Monique Jean — IF (1995 / 2:13) Construit à partir d’un objet-phrase ...
Anne LeBaron’s 1995 CD release The Musical Railism of Anne LeBaron is an exploration of the musical extremes which the composer says characterized her upbringing in the south of the United States, ...
Hildegard Westerkamp was born in Osnabrück (Germany) and emigrated to Canada in 1968. Whether as a composer, educator or radio artist, most of her work since the mid-1970s has centred around ...
Of Mlle Germaine Tailleferre one can only repeat Dr. Johnson’s dictum concerning a woman preacher, transposed into terms of music. “Sir, a woman’s composing is like a dog’s walking on his hind legs.
Ce DC est une exploration des extrêmes musicaux qui selon LeBaron caractérisent son éducation dans le sud des États-Unis, remplie de « sel et abeilles, océan bouillonnant et trains du sud… délicatesse ...
Composer Wende Bartley works in a variety of media, including computer music, film, dance and concert music, experimental radio documentaries. She received her MMus in composition from McGill ...
Ginette Bertrand a composé la musique du spectacle de danse + virtuel Pôles au Banff Centre for the Arts. Ce spectacle a été conçu par les chorégraphes Pierre-Paul Savoie et Jeff Hall et par les ...
J’ai nommé cet article « où l’eau rencontre… » parce que chaque œuvre que j’ai choisie s’intéresse à des moments et des endroits au bord de l’eau. Swimming the Reef (McCartney) est un souvenir auditif ...
This freely accessible and media-rich journal is published three times a year, with submission deadlines falling on the 1st of the month prior to publication. Electroacoustic and sound art practices ...